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Jean-Michel ANDRÉ

Room 207
:
Collection of photographic prints, prints and digital files (26 items)


 

Mélanie BERGER

On the One Hand #03, 2024 Composition of 10 drawings on 3 metal frames Linseed oil, pigments, watercolour, clay on paper;  Magnets, metal frames; Length 375 cm x height 250 cm x depth 10 cm


BIG-GAME

Mini Bold, 2023
L 32 cm x H 52 cm x D 36 cm, 5 kg
Steel tube covered with polyurethane
foam Removable Oeko-Tex-certified cotton cover


 

Julien BOUCQ

C O M M U N I C A T I N G
V A S E S
Collection and assemblage of vases from West Germany, begun in 2010


 

Julien BOUCQ

R +
A photographic series begun in 2018, presented as a slideshow
(From a street corner, at the end of the suburb, or from neighbouring towns, you can just make out the tower)


 

Gillian BRETT

LTM190E08(TL)(L2)ZB (After Hubble), 2024
LCD screen, steel, ink, 40.5 x 33.5 x 7 cm


BROGNON & ROLLIN

Train Your Bird to Talk, 2017
Sound
artwork: A school bell replaced by 17 phrases whistled in Silbo Gomero by Juan Manuel Chinea García
Sound engineer: Antoine Bertin – SoundAnything Studio 


Christine DEKNUYDT

Untitled, undated
. Black-and-white
photograph, 14.5 x 20.5 cm


Pauline DELWAULLE

R13, 2023
Blue concrete, 390 x 50 cm, white quartz and metal
reinforcement Created during the Archipel residency


Maëlle DUFOUR

Oyas, 2024
Ceramic installation, glazes
Approx. 300 pieces
Variable dimensions


Latifa ECHAKHCH

Erratum, 2004–2013
Installation
: 50kgs of broken Moroccan tea glasses scattered on the floor
. Variable dimensions


ecoBirdy

Charlie Chair, 2018
L38 x W35 x H50 cm
Ecothylene® 100% recyclable


Anne-Marie FILAIRE

La Tribune, 2024
A collection comprising two photographic works and a film (53 mins),
produced during a residency at the CRP/


Anne-Marie FILAIRE

Temporary Landscapes, 2021
Subtitle: The excavated land of Greater Paris
24 prints, 80×100 cm,
pigment prints on 190g Maranello semi-matte paper.


Monika GRZYMALA

RGB Self 03, 2019
Unique engraving on a soft
background. Pencil
self-portrait. Triple print in red, blue and green on semi-transparent Kozo paper, with magnetic oak slats (top and bottom) + 3D
glasses. 65 x 170 cm (without hanging mechanism)


José LOUREIRO

Narcissus, 2023
Oil on canvas
237 x 118 cm


MATERRA-MATANG

S.12.CL – Wood-drying
bench: cork oak and burnt larch tops, stainless
steel fittings, 45 x 120 x 50 cm


MAXIMUM

Seat made from MD polyethylene, UV-treated; legs made from powder-coated steel tubing; zinc-plated fastenings


MAXIMUM

Everfit
stool
made from 100% shredded banknotes. 8 screws to secure the 4 legs to the base.
4 steel brackets.
Delivery: stool supplied fully assembled.


Mountaincutters

Tinted Hours (Swarm Dance), 2024
Brass, steel, magnets, high-quality print on cotton paper, lamps
200 x 300 x 40 cm


Mathilde PELLÉ

Tinted Hours (Swarm Dance), 2024
Brass, steel, magnets, high-quality print on cotton paper, lamps
200 x 300 x 40 cm


Jean-Baptiste PERRET

  • Sheep Shearing, 2023
    , HD video, colour, 16:9, stereo sound, loop, 4 minutes and 14 seconds
    The Hay Cart, 2019
    , set of two videos (The Hay Cart, 2019 and The Cave, 2019)

Gianni PETTENA

Human Wall, 2012
Protocol-based artwork


Thao Nguyen PHAN

Three drawings
: – Forest, Woman, Madness No. 05,
2024 – Forest, Woman, Madness No. 07, 2024
Forest, Woman, Madness No. 08, 2024
Watercolour and digital print on paper
, 29.7 x 21 cm
each – Forest, Woman, Madness, 2025
Slide
projection, variable dimensions, 6 minutes


Laure PROUVOST

No More Front Tears, 2022
HD
video, 2’50’


Violeta QUISPE

Wachakuq, Manam Wachakuq, 2024
Natural polychrome pigments and earth with acrylic
125 x 45 x 15 cm


Florence REYMOND

Pampille, 2023
(Daronne, solo in the piece)
Oil on canvas
90 × 130 × 5 cm


Naomi RINCÓN-GALLARDO

Sonnet of Vermin, 2022
HD video, 19’02’’


Jean-Marie and Danièle SIMONNET

Le Fantôme, n.d.
Children’s playground structure


Ulrika SPARRE

Ear to the Ground, 2017–2024
Three videos
: – Ear to the Ground (Golden Monolith & Black Monolith), 2024 – 10:21
mins – Ear to the Ground (Wandering Rocks), 2020 – 9:04
mins – Ear to the Ground (Långviksskär), 2017 – 8:48 mins


Jean-Baptiste WARLUZEL and Mathilde PELLÉ

Furnished, 2021
Art-house documentary on the Maison soustraire
project. 4K video, 60 mins


Judith WRIGHT

Carnivale: Second Stage, 2021
Acrylic paint and wax on Japanese
paper 200 x 200 cm